‘Wimpy Kid’ acts better on screen than on the page

LOS ANGELES — Compared with the traditional protagonists of summer movies,  really doesn’t measure up.

He’s a skinny little thing, is no pillar of rectitude and doesn’t have much in the way of friends. But to countless young boys, Greg feels like a real superhero, even as he’s becoming better behaved on screen than he is in print.

BACK FOR THIRDS: Zachary Gordon stars in “Diary of a Wimpy Kid: Dog Days.” (MCT photo)

Opening Friday, “Diary of a Wimpy Kid: Dog Days” is the third entry in what has been a small but modestly successful series.

Adapted from Jeff Kinney’s wildly popular illustrated books, the films chronicle the everyday struggles of middle-school student Greg. An admitted underachiever — he’d rather play video games than pretty much anything else — Greg is frequently in trouble with his parents and classmates yet rarely takes much blame. The books and the movies alike throw more than a few scraps toward parents; there’s an ongoing joke, for instance, about the lameness of a “Family Circus” knockoff comic that only people of a certain age would get.

And for this installment, the “Wimpy Kid,” with a budget of about $22 million, will take on those big summer heroes rather than opening in March, where the first two releases in 2010 and 2011 grossed a combined $116.7 million domestically.

While the PG-rated, live-action films make a number of narrative leaps from Kinney’s six novels (the 41-year-old writer also wrote two “Wimpy Kid” companion books), which have sold a combined 75 million copies in 35 languages, they retain the author’s celebration of Greg’s defiant if not occasionally unruly deeds. Like a modern-day Dennis the Menace, he’s no paragon of pre-adolescence, but his borderline behavior is usually harmless and frequently relatable.

To pay off a debt in the book “Dog Days,” for example, Greg considers stealing money from his younger brother’s savings or skimming the church collection plate. “All I could think was how I needed that money a lot more than whoever it was going to,” Greg writes in his illustrated diary entry. He spends time at the beach with his on-again, off-again friend Rowley not because Greg likes his company — “Believe me, Rowley’s the LAST person I want to spend a week with” — but because he will be able to go on a theme-park ride called the Cranium Shaker.

“I think he’s the rebel in all of us,” said Elizabeth Gabler, whose Fox 2000 made all three “Wimpy Kid” movies with producer Nina Jacobson. “He’s not perfect. He is lazy, and he is conceited in a way. He’s a slacker. But at the same time he’s endearing. He’s a little bit like Charlie Brown — he’s a victim of stronger people around him, like Lucy pulling out the football from underneath him.”

The third movie — and the second to be directed by David Bowers — is adapted from Kinney’s third and fourth books, “The Last Straw” and “Dog Days.” The story is largely focused on the combined efforts of Greg (Zachary Gordon) and Rowley (Robert Capron) to avoid being bored silly over summer vacation. The two spend a large amount of time at Rowley’s country club, which Greg ultimately sneaks into, where he pretends to have a job and racks up a big bill for poolside beverages.

In adapting the books for the screen, the filmmakers have sanded down some of Greg’s rougher edges, in part because what he says or does to the two-dimensional stick figures around him in a book plays more harshly when he’s doing those things to a living, breathing person on screen. “There are things you can get away with on the printed page that are funny that you can’t get away with on screen,” said Kinney, who left the screenwriting to Maya Forbes, Gabe Sachs and Wallace Wolodarsky, but consulted with the filmmakers on all three films. “I think he’s much more subversive in the books than in the movies.”

At the same time, Greg learns from his cinematic mistakes, something that doesn’t necessarily happen in the books. “I like to follow the beats of a morality tale and run the other way at the end,” Kinney said of how he crafts his novels. “One of the reasons I think the books do well is that kids can sense a morality tale from a million miles away. The kids are in on the joke — they know his actions are not meant to be emulated.”

All true, but family films have different rules. “You’ve got an imperfect character, and you’re trying to make him likable. In a movie, you have to see growth, because the audience expects it,” Kinney said of how Greg changes on screen. “They are looking for an emotionally satisfying conclusion, and my books are nihilistic in that way. I’m not looking for an emotionally satisfying conclusion. I’m looking to get a joke on every page.”


Posted by Tribune News Services

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